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Group:
Rogier van der Weyden
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Boston, MA St. Luke Drawing the Virgin
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2003
- MUND, H., C. STROO, N. GOETGHEBEUR and H. NIEUWDORP, The Mayer van den Bergh Museum. Antwerp (Corpus of Fifteenth-Century Painting in the Southern Netherlands and the Principality of Liège, 20), Brussels, 2003 (p. 73, 80).
- SEIDERER, U., Das Dreiviertelporträt vor Flusslandschaft - eine ikonographische Lücke? Strategien der Macht in Italien um 1500, in Zeitschrift für Kunstgeschichte, 2, 2003, p. 145-176 (p. 147).
- SPRONK, R., Standing on the Shoulders of Giants: The Early Years of Conservation and Technical Examination of Netherlandish Paintings at the Fogg Art Museum, in Recent Developments in the Technical Examination of Early Netherlandish Painting: Methodology, Limitations and Perspectives, edited by M. FARIES and R. SPRONK, Cambridge-Turnhout, 2003, p. 39-56 (p. 43-44, 48-49).
2002
- SCHLIE, H., Bilder des Corpus Christi. Sakramentaler Realismus
von Jan van Eyck bis Hieronymus Bosch, Berlin, 2002 (p. 303-307).
- THÜRLEMANN, F., Robert Campin. A monographic study with critical catalogue,
Munich-New York, [2002] (p. 101-102, 185).
2001
- RAPP BURI, A. and M. STUCKY-SCHÜRER, Burgundische Tapisserien,
Munich, 2001 (p. 410-411).
2000
- GELFAND, L.D., Devotion, Imitation, and Social Aspirations: Fifteenth-century
Bruges and a Memling School Madonna and Child, in Cleveland Studies
in the History of Art, 5, 2000, p. 6-19 (p. 8-9).
1999
- CHÂTELET, A., Rogier van der Weyden. Problèmes de la vie et de
l'œuvre, Strasburg, 1999 (p. 125-128).
- CHÂTELET, A., Rogier van der Weyden (Rogier de le Pasture), Paris,
1999 (p. 58-61).
- DE VOS, D., Rogier van der Weyden. Het volledige œuvre, Antwerp, 1999
(p. 99, 152-153, 200-206). (also published in English, French and German)
- KRUSE, C., Rogiers Replik. Ein gemalter Dialog über Ursprung und Medialität
des Bildes, in Porträt - Landschaft - Interieur. Jan van Eycks Rolin-Madonna
im ästhetischen Kontext (Literatur und Anthropologie, 4), edited by
C. KRUSE and F. THÜRLEMANN, Tübingen, 1999 (p. 167-185).
1998
- CAMPBELL, L., National Gallery Catalogues. The Fifteenth Century
Netherlandish Schools, London, 1998 (p. 96-98).
1997
- KEMPERDICK, S., Der Meister von Flémalle. Die Werkstatt Robert Campins
und Rogier van der Weyden (Ars Nova, 2. Studies in Late Medieval and
Renaissance Northern Painting and Illumination), Turnhout, 1997 (p.
63, 66).
- Rogier van der Weyden. 'St. Luke Drawing the Virgin'. Selected Essays
in Context, edited by C.J. PURTLE, Turnhout, 1997.
1996
- BOMFORD, D., CAMPBELL, L., ROY, A. and WHITE, R., The 'Virgin
and Child before a Firescreen': History, Examination and Treatment,
in Robert Campin. New Directions in Scholarship, edited by S. FOISTER
and S. NASH, Turnhout, 1996, p. 37-54 (p. 38).
1995
- NASH, S., A Fifteenth Century French Manuscript and an Unknown
Painting by Robert Campin, in The Burlington Magazine, 137, 1995, p.
428-437 (p. 437).
1992
- SANDER, J., Hugo van der Goes. Stilentwicklung und Chronologie
(Berliner Schriften zur Kunst, 3), Mainz, 1992 (p. 86, 110, 117, 121-123,
126 note 36, 177-178).
- THÜRLEMANN, F., Das Lukas-Triptychon in Stolzenhain. Ein verlorenes
Hauptwerk von Robert Campin in einer Kopie aus der Werkstatt Derick
Baegerts, in Zeitschrift für Kunstgeschichte, 55, 1992, p. 524-564 (p.
550-551, 556-558).
1990
- ISHIKAWA, C., Rogier van der Weyden's 'Saint Luke Drawing the Virgin'
Reexamined, in Journal Museum of Fine Arts Boston, 2, 1990 (p. 49-64).
1989
- BIALOSTOCKI, J., Quelques portraits dissimulés dans les tableaux de
Barend van Orley, in Koninklijke Musea voor Schone Kunsten van België.
Musées royaux des Beaux-Arts de Belgique. Bulletin (Miscellanea Philippe
Roberts-Jones), 34-37, 1-3, 1985-1988 (1989), p. 87-96 (p. 87 and note
4).
- KLEIN, P., Dendrochronological Studies on Oak Panels of Rogier van
der Weyden and his Circle, in Le dessin sous-jacent dans la peinture.
Colloque VII, 17-19 septembre 1987. Géographie et chronologie du dessin
sous-jacent, edited by R. VAN SCHOUTE and H. VEROUGSTRAETE-MARCQ, Louvain-la-Neuve,
1989, p. 25-36 (p. 29, 31, 35).
1987
- KLEIN, P., Dendrochronologische Untersuchungen an Bildtafeln des
15. Jahrhunderts, in Le dessin sous-jacent dans la peinture. Colloque
VI, 12-14 septembre 1985. Infrarouge et autres techniques d'examen,
edited by H. VEROUGSTRAETE-MARCQ and R. VAN SCHOUTE, Louvain-la-Neuve,
1987, p. 29-40 (p. 35, 37-38).
- RIVIÈRE, J., Réflexions sur les "Saint Luc peignant la Vierge" flamands:
de Campin à Van Heemskerck, in Jaarboek van het Koninklijk Museum voor
Schone Kunsten Antwerpen, 1987, p. 25-92 (p. 40-54, 75-76).
- SILVER, L., The 'Gothic' Gossaert: Native and Traditional Elements
in a Mabuse Madonna, in Pantheon, 45, 1987, p. 58-69 (p. 60-62, 64).
1986
-
BAUMAN, G.C., Early Flemish Portraits 1425-1525, in The Metropolitan
Museum of Art Bulletin, 43, 4, 1986, p. 1-64 (p. 5-6, 49, 58).
- KRAUT, G., Lukas malt die Madonna. Zeugnisse zum künstlerischen Selbstverständnis
in der Malerei, Worms, 1986 (p. 13-26).
